The exhibition, Doug Wada: Americana, recently recieved glowing reviews in Time Out New York and The Brooklyn Rail, respectively.
Read the Time Out New York review here.
Read The Brooklyn Rail review here.
Doug Wada: Americana is on view at Marlborough Gallery thorugh February 11, 2012. Learn more about the exhibition.
To accompany the exhibition, Blind Cut, curators Jonah Freeman and Vera Neykov have selected a series films that explore the notions of fiction and deception. The films will be shown on a loop in the order below.
Luis Buñuel, Land Without Bread, 1932, 28 minutes
Bruce and Norman Yonemoto, Spalding Gray’s Map of L.A., 1984, 27:40 minutes
Antek Walczak, Dynasty, 1998, 49:52 minutes
Gabriel Lester, The Big One, 2011, 14:14 minutes
Adina Popescu, Jeremiah, 2011, 10 minutes
Blind Cut is on view at Marlborough Chelsea thought February 18, 2012.
Art news site, Artinfo, features a preview of the exhibition, Blind Cut, which opens January 19th at Marlborough Chelsea and is on view through February 18th. The exhibition, an exploration of theme of fiction or deception, is curated by Jonah Freeman and Vera Neykov and features work by over forty artists, including Marcel Broodthaers, Claire Fontaine, Cindy Sherman, Mike Kelley, Robert Lazzarini, Francis Picabia, Eileen Quinlan, Ed Ruscha, and Kurt Schwitters.
Read the preview on Artinfo by clicking here.
Learn more about the exhibition by clicking here.
RSVP to the opening reception on Facebook.
Marlborough Gallery is pleased to announce that Rashaad Newsome’s The Conductor (Fortuna Imperatrix Mundi)(2005-2009) will be shown at Centre national d'Art et de Culture Georges Pompidou on January 26, 2012. The Conductor (Fortuna Imperatrix Mundi) is included in a special screening of work by emerging artists, entitled, It's Time to Dance Now, in conjunction with the exhibition, Dancer sa vie.
You can learn more about the event at Centre Pompidou by clicking here and you can view available work by Newsome by clicking here.
Peter Plagens reviews Clement Meadmore: Sculpture in The Wall Street Journal.
Pia Catton previews Juan Genovés and Blind Cut in The Wall Street Journal.
Carol Vogel previews Blind Cut in The New York Times.
You can also read the articles by clicking on Press Release.